خلاصه داستان : تلاش جاه طلبانه "Snow" برای کشف ریزه کاری های واقعی و مصنوعی صدا در سینما .

Described (rather cheekily) by director Michael Snow as a musical comedy, this deft probing of sound/image relationships is one of his wittiest, most entertaining and philosophically stimulating films. In his words, the film “derives its form and the nature of its possible effects from its being built from the inside, as it were, with the actual units of such a film, i.e. the frame and the recorded syllable. Thus its ‘dramatic’ element derives not only from a representation of what may involve us generally in life but from considerations of the nature of recorded speech in relation to moving light-images of people.’”

خلاصه داستان :

A 1971 experimental Canadian film directed by Michael Snow. Shot in the Canadian mountains over a period of 24 hours using a robotic arm.

خلاصه داستان : Wavelength یکی از غیر متعارف ترین و تجربی ترین فیلم های ساخته شده در طول تاریخ ، یک فیلم ساختاری از بزرگنمایی طولانی مدت 45 دقیقه ای روی پنجره در مدت زمان یک هفته است.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.